“Thursday Morning (version 2)” 16 × 22 inches, Crayon on paper

$300.00

“Thursday Morning (version 2)” 16 × 22 inches, Crayon on paper

This is a handmade, original work of art NOT A PRINT and NOT AI GENERATED

FREE SHIPPING Shipping takes 3–4 Weeks This ships from San Carlos, California (The San Francisco Bay Area). I use UPS and sometimes US Post.

My Self Directed drawings are partly a way of looking at my own figure and understanding it better. They are studies, but they are also places to experiment with line, shading, and the ordinary spaces around me. I'm interested in what a self-portrait can say about aging beyond simply recording what my face looks like.

The crayon marks stay visible. Parallel strokes build the shadows across the face and clothing, while the window and the light falling across the floor leave more of the paper open. These are the kinds of marks and contour lines I'm exploring in my drawings as I think about what I might leave exposed in a painting.

The photographs include full views and close details of the drawing. The black felt visible around the paper in some photographs is a backdrop, not part of the artwork. It shows the deckled edges and how the composition sits on the sheet.

“Thursday Morning (version 2)” 16 × 22 inches, Crayon on paper

This is a handmade, original work of art NOT A PRINT and NOT AI GENERATED

FREE SHIPPING Shipping takes 3–4 Weeks This ships from San Carlos, California (The San Francisco Bay Area). I use UPS and sometimes US Post.

My Self Directed drawings are partly a way of looking at my own figure and understanding it better. They are studies, but they are also places to experiment with line, shading, and the ordinary spaces around me. I'm interested in what a self-portrait can say about aging beyond simply recording what my face looks like.

The crayon marks stay visible. Parallel strokes build the shadows across the face and clothing, while the window and the light falling across the floor leave more of the paper open. These are the kinds of marks and contour lines I'm exploring in my drawings as I think about what I might leave exposed in a painting.

The photographs include full views and close details of the drawing. The black felt visible around the paper in some photographs is a backdrop, not part of the artwork. It shows the deckled edges and how the composition sits on the sheet.