“Self Portrait with a Companion” 18 × 24 inches, Crayon on paper
This is a handmade, original work of art NOT A PRINT and NOT AI GENERATED
FREE SHIPPING Shipping takes 3–4 Weeks This ships from San Carlos, California (The San Francisco Bay Area). I use UPS and sometimes US Post.
I’ve been exploring companionship alongside self-portraiture. Adding another person changes how we look at a figure. We begin to consider the space between them, their positions, and what it means for them to occupy the same room. Here, those questions are carried partly by the contrast between a clothed figure and my nude self-portrait.
The companion’s back fills much of the left foreground, while I face toward the viewer on the right. One figure is described through the folds and weight of clothing; the other through the contours and structure of the body. The difference in viewpoint lets us see a broad back beside a face and torso, without giving both people the same kind of visibility.
The crayon handling reinforces that contrast. Dense shading builds the jacket, while lighter passages and curving marks describe the chest, belly, and limbs. Darker accents around the glasses and face draw attention to the self-portrait. The marks remain visible, moving between line and tone rather than resolving every surface into smooth shading.
The mantel, framed pictures, doorway, and furniture establish a domestic setting. Their straighter edges give the bodies a framework and keep the room involved in the composition. The close cropping brings both figures toward us, while the details behind them establish depth.
I’m interested in what happens when a self-portrait includes someone else. My body remains the subject, but it is also one presence among two. The drawing leaves room to consider companionship without supplying a complete story about the people pictured.
“Self Portrait with a Companion” 18 × 24 inches, Crayon on paper
This is a handmade, original work of art NOT A PRINT and NOT AI GENERATED
FREE SHIPPING Shipping takes 3–4 Weeks This ships from San Carlos, California (The San Francisco Bay Area). I use UPS and sometimes US Post.
I’ve been exploring companionship alongside self-portraiture. Adding another person changes how we look at a figure. We begin to consider the space between them, their positions, and what it means for them to occupy the same room. Here, those questions are carried partly by the contrast between a clothed figure and my nude self-portrait.
The companion’s back fills much of the left foreground, while I face toward the viewer on the right. One figure is described through the folds and weight of clothing; the other through the contours and structure of the body. The difference in viewpoint lets us see a broad back beside a face and torso, without giving both people the same kind of visibility.
The crayon handling reinforces that contrast. Dense shading builds the jacket, while lighter passages and curving marks describe the chest, belly, and limbs. Darker accents around the glasses and face draw attention to the self-portrait. The marks remain visible, moving between line and tone rather than resolving every surface into smooth shading.
The mantel, framed pictures, doorway, and furniture establish a domestic setting. Their straighter edges give the bodies a framework and keep the room involved in the composition. The close cropping brings both figures toward us, while the details behind them establish depth.
I’m interested in what happens when a self-portrait includes someone else. My body remains the subject, but it is also one presence among two. The drawing leaves room to consider companionship without supplying a complete story about the people pictured.
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