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Kenney Mencher and Carolyn Meyer: in BLACK and WHITE
in BLACK and WHITE on May 8, 2009
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Kenney Mencher Artist: Representing the Underrepresented
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Kenney Mencher and Carolyn Meyer: in BLACK and WHITE
in BLACK and WHITE on May 8, 2009
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Kenney Mencher Artist: Representing the Underrepresented
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Kenney Mencher and Carolyn Meyer: in BLACK and WHITE
in BLACK and WHITE on May 8, 2009
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Kenney Mencher Nutria Joven, 18x24 inches oil on canvas panel by Kenney Mencher A portrait of a shirtless muscular gay man with washboard abs.
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Nutria Joven, 18x24 inches oil on canvas panel by Kenney Mencher A portrait of a shirtless muscular gay man with washboard abs.

$600.00
Sold Out

FREE SHIPPING Shipping takes 3-4 Weeks This ships from Round Lake Beach, Illinois. A suburb outside of Chicago. I use UPS and sometimes US Post.

The paint on this is super thick and it took several days to make the painting. Recently I moved from California, where I had a pretty cramped small studio, to a larger house where I’ve taken the entire basement as my painting studio. This is allowed me to experiment and try out new things that I have never been able to do because I have a lot more space and places for things to dry and services to work on. I can work on paintings over several days or weeks rather than have to rush through them and work on only one painting at a time.

This is one of a group of paintings that were worked on over the course of a week or two in a more layered approach. It began more as a rough sketch on the canvas panel that I worked out a little bit more with crayon and worked out the shading and environment using my imagination. Over the next couple of days the painting was developed more.

The next couple of days were spent working on an underpainting that began his thin washes of oil paint and ended up with thicker more opaque layers.

The finishing day that I worked on this painting I attempted to build up the surface is more and enhance the textures so that the paint textures matched a little bit more closely the physicality or textures of the figures and the environment they are in. Some of the paint is almost 2 to 3 cm thick and applied with plastering knives and thick bristle brushes which I think gives the surface and almost skin like quality.

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FREE SHIPPING Shipping takes 3-4 Weeks This ships from Round Lake Beach, Illinois. A suburb outside of Chicago. I use UPS and sometimes US Post.

The paint on this is super thick and it took several days to make the painting. Recently I moved from California, where I had a pretty cramped small studio, to a larger house where I’ve taken the entire basement as my painting studio. This is allowed me to experiment and try out new things that I have never been able to do because I have a lot more space and places for things to dry and services to work on. I can work on paintings over several days or weeks rather than have to rush through them and work on only one painting at a time.

This is one of a group of paintings that were worked on over the course of a week or two in a more layered approach. It began more as a rough sketch on the canvas panel that I worked out a little bit more with crayon and worked out the shading and environment using my imagination. Over the next couple of days the painting was developed more.

The next couple of days were spent working on an underpainting that began his thin washes of oil paint and ended up with thicker more opaque layers.

The finishing day that I worked on this painting I attempted to build up the surface is more and enhance the textures so that the paint textures matched a little bit more closely the physicality or textures of the figures and the environment they are in. Some of the paint is almost 2 to 3 cm thick and applied with plastering knives and thick bristle brushes which I think gives the surface and almost skin like quality.

FREE SHIPPING Shipping takes 3-4 Weeks This ships from Round Lake Beach, Illinois. A suburb outside of Chicago. I use UPS and sometimes US Post.

The paint on this is super thick and it took several days to make the painting. Recently I moved from California, where I had a pretty cramped small studio, to a larger house where I’ve taken the entire basement as my painting studio. This is allowed me to experiment and try out new things that I have never been able to do because I have a lot more space and places for things to dry and services to work on. I can work on paintings over several days or weeks rather than have to rush through them and work on only one painting at a time.

This is one of a group of paintings that were worked on over the course of a week or two in a more layered approach. It began more as a rough sketch on the canvas panel that I worked out a little bit more with crayon and worked out the shading and environment using my imagination. Over the next couple of days the painting was developed more.

The next couple of days were spent working on an underpainting that began his thin washes of oil paint and ended up with thicker more opaque layers.

The finishing day that I worked on this painting I attempted to build up the surface is more and enhance the textures so that the paint textures matched a little bit more closely the physicality or textures of the figures and the environment they are in. Some of the paint is almost 2 to 3 cm thick and applied with plastering knives and thick bristle brushes which I think gives the surface and almost skin like quality.

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