Gay Painting of a Gray Haired Leather Daddy Bull with a Cap and Bear Like Hairy Body, 18x24 inches oil on canvas panel by Kenney Mencher
$500.00
Sold Out
Gray Leather Bull, 18x24 inches oil on canvas panel by Kenney Mencher
LGBTQ gay art homoerotic pride decor
The size is a standard US frame size and can be framed inexpensively.
(Buy framing kits on the US version of Etsy, Amazon or go to DickBlick. (.com's)
FREE SHIPPING
THIS WORK IS ORIGINAL (NOT A PRINT OR GICLEE)
Shipping takes 3-4 Weeks
Leather Men are modern day superheroes. A lot of my art revolves around the portrayal of heroic older bullish men. In my paintings I'm trying to communicate about body positivity and the beauty of the heroic male "bear." In this case I'm celebrating leather culture.
Many straight folks are unaware of the bear subculture. Hardly a surprise, since a powerful majority rarely concerns itself with the doings of a marginalized minority. When, three or four years ago, I first mentioned bears to my straight colleagues in the English Department at Virginia Tech, none of them knew what I was talking about, though by now at least one of them calls me “The Bear.” Similarly, my heterosexual students, as expert as they might be on current media, seem equally ignorant about this topic.
Most GLBT folks, however, by now seem to know the basics. A “bear” is a hairy, bearded, brawny-to-bulky gay man, usually displaying aspects of traditional masculinity. A cub is a younger version of the same; a wolf is a lean, hairy man; an otter a young version of that. “Woof!” is a lustful expression, meaning essentially: “Tasty! I’d like to climb all over that!” “Grrrrr!” means much the same. As you can see, after twenty-some years of development, the bear community, like any subculture, has its own jargon, sometimes called “bearspeak” or “vocubulary.” It also has its own values, its own style, and its own commodities. There are bear-oriented bars, festivals, music, movies, magazines, and books. There are regional clubs for bears not only in metropolitan centers, where the communities first developed, but also in rural areas.
The brush work and textures are designed to emphasize the direction of the planes of the muscles and other parts of the body. I'm hoping that the brushwork is kind of calligraphic and adds to making the figure feel real and have volume.
In the background, I began with thin coats of a warmer gray then went over the next layer with a brush and the last layer is a kind of "skip coat" using plastering knives to create a more tangible and thicker coat in a lighter tone.
I try to make really well crafted work about the human figure and the human condition. I focus on the kind of beauty for both men and women that is "non-standard." I'm most interested in representing people who don't get represented by mainstream artists. I particularly like painting bears, cubs, and other wildlife.
I am not a risqué or sexy kind of guy, however, at times some of my work has been called that. This is only a small part of what my paintings are about. The majority of my work deals with the visual translation of familiar ideas.
My images are about points of view, my own and the person who is looking at my work. These images are designed to provoke discussion about the politics of how we see the world. Many images are based on the visual, literary, and spoken clichés that we are inculcated with through movies, television, and print media. These paintings indirectly reference how the media forces us to see the world but even though the media seeks to find a homogenous point of view, we all see things differently. My paintings are ink blot tests and they beg the question, what’s your point of view?
Here's a bit about Kenney Mencher the artist,
I was born in Brooklyn February of 1965. During much of my childhood I lived in Brooklyn, the Bronx, upstate NY, Sarasota, Florida and Manhattan. (Both my mother and father divorced and remarried.) The real hero of my childhood is my older brother Marc who literally changed my diapers, acted as my protector and as my role model.
I started to learn to paint and draw when I was six or seven years old and was convinced that I would be an artist from that age on.
As a teen at the High School of Art and Design I got my best training in Irwin Greenberg’s class where he taught me how to draw, oil paint and watercolor. I also attended classes at the Cooper Union and Art Students League.
My parents threw me out in my senior year of high school, so I earned my GED and worked construction on the Lower East Side of Manhattan. It was a rough time but my older brother and his partner Kirk rescued me by inviting me to move with them to Cincinnati, Ohio to live and study. While a college student, I worked in restaurants and painted as much as I could. After a year at the University of Cincinnati, I went back to the Bronx where I finished college at CUNY Lehman. Lehman is a fantastic college.
After completing my undergraduate studies, I lived in California and then Ohio completing my two masters’ degrees in Art History and Studio Art. After school I was lucky enough to have dual careers as an exhibiting artist and tenured professor.
In 2014 I began to work on paintings with a strong homoerotic content. Despite excellent sales and well received shows, the galleries I worked with wouldn’t show my new queer work, so I’ve been successfully working mainly directly with my collectors. This change has freed me and allowed me to focus on themes and subjects that, in the past, were rejected or resulted in censorship.
Things are going great! In 2016, after eighteen years of teaching art history and studio courses, I resigned a tenured professorship to pursue painting full time.
EDUCATION
1993-1995 University of Cincinnati, Cincinnati, OH
MFA Painting
1991-1994 University of California, Davis, CA
MA Art History
1988-1991 City University of New York, Bronx, NY
Magna Cum Laude; BA Art History
1988 University of Cincinnati, Cincinnati, OH
1981-1985 Art Students' League, Manhattan, NY
1978-1982 Art & Design High School, Manhattan, NY
EMPLOYMENT
1999-2016 Associate Professor of Art & Art History, Ohlone College, Fremont, CA
1998-1999 Instructor of Art History & Western Civilization, San Francisco University High School
1996-1998 Assistant Professor of Art & Art History, Texas A&M University, Laredo, TX
SELECTED SOLO EXHIBITIONS
2021 Lone Star Saloon, San Francisco, CA
It’s All About the Bears
2016 Tracy Center for the Arts, Tracy, CA
The Convict and the Boy, A Graphic Novel and Installation by Kenney Mencher with publication edited by the artist.
2012 Ohlone College, Fremont, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Elliott Fouts Gallery, Sacramento, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Santa Clara University, Santa Clara, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Art Museum of Los Gatos, Los Gatos, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2011 ArtHaus Gallery, San Francisco, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2008 Sequential Art Gallery, Portland, OR
Cads and Coquettes
2008 Varnish Fine Art, San Francisco, CA
Lovers and Liars
2007 Elliott Fouts Gallery, Sacramento, CA
Faces and Farces
2007 Gallery 2611, Redwood City, CA
Clichés and Characters
2006 Klaudia Marr Gallery, Santa Fe, NM
Kenney Mencher: Recent Work
2006 Elliott Fouts Gallery, Sacramento, CA
Apperceptions and Allegories
2006 Norton Studio Gallery, Pacific Art League, Palo Alto, CA
Being There
2006 Esteban Sabar Gallery, Oakland, CA
Similes and Sayings
2005 Elliott Fouts Gallery, Sacramento, CA
Hamlettes on Wry
2005 Mountain View Center for the Performing Arts, Mountain View, CA
2004 Louie-Meager Art Gallery, Gary Soren Smith Center, Ohlone College, Fremont, CA
Dress Code
2004 STRS Gallery, Sacramento, CA
1997 Laredo Center for the Arts, Laredo, TX
Noir Images (Solo Show)
SELECTED GROUP EXHIBITIONS
2011 ArtHaus Gallery, San Francisco, CA
The Men's Room
2010 Elliott Fouts Gallery, Sacramento, CA
Go Figure
2010 ArtHaus Gallery, San Francisco, CA
Resurgence
2009 ArtHaus Gallery, San Francisco, CA
In Black and White: Monochromatic Paintings by Kenney Mencher and Caroline Meyer
2008 Art Museum of Los Gatos, CA
Sex, Politics and Misogyny, Peter Langenbach and Kenney Mencher
2006-07 Klaudia Marr, Santa Fe, NM
14th Annual Realism Invitational
13th Annual Realism Invitational
2006 Triton Art Museum, Santa Clara, CA
Beyond the Likeness: Self Portraits by California Artists
2003 Hang Gallery Palo Alto, CA
One More Thing Before I Go
1999 Jenkins-Johnson Gallery, San Francisco, CA
First Annual Realism Invitational
2001 Craighead-Green, Dallas, TX
Kenney Mencher and Connie Connally
1998 Jenkins-Johnson Gallery, San Francisco, CA
Small Works
1998 Jenkins-Johnson Gallery, San Francisco, CA
Nancy Switzer, Milt Kobayashi, and Kenney Mencher
Warning these are the only sites authorized to represent my art:
https://www.kenney-mencher.net/
http://www.kenney-mencher.com/
http://www.etsy.com/shop/kmencher
https://www.instagram.com/kenneymencher/
https://www.facebook.com/Kenney.Mencher
http://www.youtube.com/user/kmencher
LGBTQ gay art homoerotic pride decor
The size is a standard US frame size and can be framed inexpensively.
(Buy framing kits on the US version of Etsy, Amazon or go to DickBlick. (.com's)
FREE SHIPPING
THIS WORK IS ORIGINAL (NOT A PRINT OR GICLEE)
Shipping takes 3-4 Weeks
Leather Men are modern day superheroes. A lot of my art revolves around the portrayal of heroic older bullish men. In my paintings I'm trying to communicate about body positivity and the beauty of the heroic male "bear." In this case I'm celebrating leather culture.
Many straight folks are unaware of the bear subculture. Hardly a surprise, since a powerful majority rarely concerns itself with the doings of a marginalized minority. When, three or four years ago, I first mentioned bears to my straight colleagues in the English Department at Virginia Tech, none of them knew what I was talking about, though by now at least one of them calls me “The Bear.” Similarly, my heterosexual students, as expert as they might be on current media, seem equally ignorant about this topic.
Most GLBT folks, however, by now seem to know the basics. A “bear” is a hairy, bearded, brawny-to-bulky gay man, usually displaying aspects of traditional masculinity. A cub is a younger version of the same; a wolf is a lean, hairy man; an otter a young version of that. “Woof!” is a lustful expression, meaning essentially: “Tasty! I’d like to climb all over that!” “Grrrrr!” means much the same. As you can see, after twenty-some years of development, the bear community, like any subculture, has its own jargon, sometimes called “bearspeak” or “vocubulary.” It also has its own values, its own style, and its own commodities. There are bear-oriented bars, festivals, music, movies, magazines, and books. There are regional clubs for bears not only in metropolitan centers, where the communities first developed, but also in rural areas.
The brush work and textures are designed to emphasize the direction of the planes of the muscles and other parts of the body. I'm hoping that the brushwork is kind of calligraphic and adds to making the figure feel real and have volume.
In the background, I began with thin coats of a warmer gray then went over the next layer with a brush and the last layer is a kind of "skip coat" using plastering knives to create a more tangible and thicker coat in a lighter tone.
I try to make really well crafted work about the human figure and the human condition. I focus on the kind of beauty for both men and women that is "non-standard." I'm most interested in representing people who don't get represented by mainstream artists. I particularly like painting bears, cubs, and other wildlife.
I am not a risqué or sexy kind of guy, however, at times some of my work has been called that. This is only a small part of what my paintings are about. The majority of my work deals with the visual translation of familiar ideas.
My images are about points of view, my own and the person who is looking at my work. These images are designed to provoke discussion about the politics of how we see the world. Many images are based on the visual, literary, and spoken clichés that we are inculcated with through movies, television, and print media. These paintings indirectly reference how the media forces us to see the world but even though the media seeks to find a homogenous point of view, we all see things differently. My paintings are ink blot tests and they beg the question, what’s your point of view?
Here's a bit about Kenney Mencher the artist,
I was born in Brooklyn February of 1965. During much of my childhood I lived in Brooklyn, the Bronx, upstate NY, Sarasota, Florida and Manhattan. (Both my mother and father divorced and remarried.) The real hero of my childhood is my older brother Marc who literally changed my diapers, acted as my protector and as my role model.
I started to learn to paint and draw when I was six or seven years old and was convinced that I would be an artist from that age on.
As a teen at the High School of Art and Design I got my best training in Irwin Greenberg’s class where he taught me how to draw, oil paint and watercolor. I also attended classes at the Cooper Union and Art Students League.
My parents threw me out in my senior year of high school, so I earned my GED and worked construction on the Lower East Side of Manhattan. It was a rough time but my older brother and his partner Kirk rescued me by inviting me to move with them to Cincinnati, Ohio to live and study. While a college student, I worked in restaurants and painted as much as I could. After a year at the University of Cincinnati, I went back to the Bronx where I finished college at CUNY Lehman. Lehman is a fantastic college.
After completing my undergraduate studies, I lived in California and then Ohio completing my two masters’ degrees in Art History and Studio Art. After school I was lucky enough to have dual careers as an exhibiting artist and tenured professor.
In 2014 I began to work on paintings with a strong homoerotic content. Despite excellent sales and well received shows, the galleries I worked with wouldn’t show my new queer work, so I’ve been successfully working mainly directly with my collectors. This change has freed me and allowed me to focus on themes and subjects that, in the past, were rejected or resulted in censorship.
Things are going great! In 2016, after eighteen years of teaching art history and studio courses, I resigned a tenured professorship to pursue painting full time.
EDUCATION
1993-1995 University of Cincinnati, Cincinnati, OH
MFA Painting
1991-1994 University of California, Davis, CA
MA Art History
1988-1991 City University of New York, Bronx, NY
Magna Cum Laude; BA Art History
1988 University of Cincinnati, Cincinnati, OH
1981-1985 Art Students' League, Manhattan, NY
1978-1982 Art & Design High School, Manhattan, NY
EMPLOYMENT
1999-2016 Associate Professor of Art & Art History, Ohlone College, Fremont, CA
1998-1999 Instructor of Art History & Western Civilization, San Francisco University High School
1996-1998 Assistant Professor of Art & Art History, Texas A&M University, Laredo, TX
SELECTED SOLO EXHIBITIONS
2021 Lone Star Saloon, San Francisco, CA
It’s All About the Bears
2016 Tracy Center for the Arts, Tracy, CA
The Convict and the Boy, A Graphic Novel and Installation by Kenney Mencher with publication edited by the artist.
2012 Ohlone College, Fremont, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Elliott Fouts Gallery, Sacramento, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Santa Clara University, Santa Clara, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Art Museum of Los Gatos, Los Gatos, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2011 ArtHaus Gallery, San Francisco, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2008 Sequential Art Gallery, Portland, OR
Cads and Coquettes
2008 Varnish Fine Art, San Francisco, CA
Lovers and Liars
2007 Elliott Fouts Gallery, Sacramento, CA
Faces and Farces
2007 Gallery 2611, Redwood City, CA
Clichés and Characters
2006 Klaudia Marr Gallery, Santa Fe, NM
Kenney Mencher: Recent Work
2006 Elliott Fouts Gallery, Sacramento, CA
Apperceptions and Allegories
2006 Norton Studio Gallery, Pacific Art League, Palo Alto, CA
Being There
2006 Esteban Sabar Gallery, Oakland, CA
Similes and Sayings
2005 Elliott Fouts Gallery, Sacramento, CA
Hamlettes on Wry
2005 Mountain View Center for the Performing Arts, Mountain View, CA
2004 Louie-Meager Art Gallery, Gary Soren Smith Center, Ohlone College, Fremont, CA
Dress Code
2004 STRS Gallery, Sacramento, CA
1997 Laredo Center for the Arts, Laredo, TX
Noir Images (Solo Show)
SELECTED GROUP EXHIBITIONS
2011 ArtHaus Gallery, San Francisco, CA
The Men's Room
2010 Elliott Fouts Gallery, Sacramento, CA
Go Figure
2010 ArtHaus Gallery, San Francisco, CA
Resurgence
2009 ArtHaus Gallery, San Francisco, CA
In Black and White: Monochromatic Paintings by Kenney Mencher and Caroline Meyer
2008 Art Museum of Los Gatos, CA
Sex, Politics and Misogyny, Peter Langenbach and Kenney Mencher
2006-07 Klaudia Marr, Santa Fe, NM
14th Annual Realism Invitational
13th Annual Realism Invitational
2006 Triton Art Museum, Santa Clara, CA
Beyond the Likeness: Self Portraits by California Artists
2003 Hang Gallery Palo Alto, CA
One More Thing Before I Go
1999 Jenkins-Johnson Gallery, San Francisco, CA
First Annual Realism Invitational
2001 Craighead-Green, Dallas, TX
Kenney Mencher and Connie Connally
1998 Jenkins-Johnson Gallery, San Francisco, CA
Small Works
1998 Jenkins-Johnson Gallery, San Francisco, CA
Nancy Switzer, Milt Kobayashi, and Kenney Mencher
Warning these are the only sites authorized to represent my art:
https://www.kenney-mencher.net/
http://www.kenney-mencher.com/
http://www.etsy.com/shop/kmencher
https://www.instagram.com/kenneymencher/
https://www.facebook.com/Kenney.Mencher
http://www.youtube.com/user/kmencher
Gray Leather Bull, 18x24 inches oil on canvas panel by Kenney Mencher
LGBTQ gay art homoerotic pride decor
The size is a standard US frame size and can be framed inexpensively.
(Buy framing kits on the US version of Etsy, Amazon or go to DickBlick. (.com's)
FREE SHIPPING
THIS WORK IS ORIGINAL (NOT A PRINT OR GICLEE)
Shipping takes 3-4 Weeks
Leather Men are modern day superheroes. A lot of my art revolves around the portrayal of heroic older bullish men. In my paintings I'm trying to communicate about body positivity and the beauty of the heroic male "bear." In this case I'm celebrating leather culture.
Many straight folks are unaware of the bear subculture. Hardly a surprise, since a powerful majority rarely concerns itself with the doings of a marginalized minority. When, three or four years ago, I first mentioned bears to my straight colleagues in the English Department at Virginia Tech, none of them knew what I was talking about, though by now at least one of them calls me “The Bear.” Similarly, my heterosexual students, as expert as they might be on current media, seem equally ignorant about this topic.
Most GLBT folks, however, by now seem to know the basics. A “bear” is a hairy, bearded, brawny-to-bulky gay man, usually displaying aspects of traditional masculinity. A cub is a younger version of the same; a wolf is a lean, hairy man; an otter a young version of that. “Woof!” is a lustful expression, meaning essentially: “Tasty! I’d like to climb all over that!” “Grrrrr!” means much the same. As you can see, after twenty-some years of development, the bear community, like any subculture, has its own jargon, sometimes called “bearspeak” or “vocubulary.” It also has its own values, its own style, and its own commodities. There are bear-oriented bars, festivals, music, movies, magazines, and books. There are regional clubs for bears not only in metropolitan centers, where the communities first developed, but also in rural areas.
The brush work and textures are designed to emphasize the direction of the planes of the muscles and other parts of the body. I'm hoping that the brushwork is kind of calligraphic and adds to making the figure feel real and have volume.
In the background, I began with thin coats of a warmer gray then went over the next layer with a brush and the last layer is a kind of "skip coat" using plastering knives to create a more tangible and thicker coat in a lighter tone.
I try to make really well crafted work about the human figure and the human condition. I focus on the kind of beauty for both men and women that is "non-standard." I'm most interested in representing people who don't get represented by mainstream artists. I particularly like painting bears, cubs, and other wildlife.
I am not a risqué or sexy kind of guy, however, at times some of my work has been called that. This is only a small part of what my paintings are about. The majority of my work deals with the visual translation of familiar ideas.
My images are about points of view, my own and the person who is looking at my work. These images are designed to provoke discussion about the politics of how we see the world. Many images are based on the visual, literary, and spoken clichés that we are inculcated with through movies, television, and print media. These paintings indirectly reference how the media forces us to see the world but even though the media seeks to find a homogenous point of view, we all see things differently. My paintings are ink blot tests and they beg the question, what’s your point of view?
Here's a bit about Kenney Mencher the artist,
I was born in Brooklyn February of 1965. During much of my childhood I lived in Brooklyn, the Bronx, upstate NY, Sarasota, Florida and Manhattan. (Both my mother and father divorced and remarried.) The real hero of my childhood is my older brother Marc who literally changed my diapers, acted as my protector and as my role model.
I started to learn to paint and draw when I was six or seven years old and was convinced that I would be an artist from that age on.
As a teen at the High School of Art and Design I got my best training in Irwin Greenberg’s class where he taught me how to draw, oil paint and watercolor. I also attended classes at the Cooper Union and Art Students League.
My parents threw me out in my senior year of high school, so I earned my GED and worked construction on the Lower East Side of Manhattan. It was a rough time but my older brother and his partner Kirk rescued me by inviting me to move with them to Cincinnati, Ohio to live and study. While a college student, I worked in restaurants and painted as much as I could. After a year at the University of Cincinnati, I went back to the Bronx where I finished college at CUNY Lehman. Lehman is a fantastic college.
After completing my undergraduate studies, I lived in California and then Ohio completing my two masters’ degrees in Art History and Studio Art. After school I was lucky enough to have dual careers as an exhibiting artist and tenured professor.
In 2014 I began to work on paintings with a strong homoerotic content. Despite excellent sales and well received shows, the galleries I worked with wouldn’t show my new queer work, so I’ve been successfully working mainly directly with my collectors. This change has freed me and allowed me to focus on themes and subjects that, in the past, were rejected or resulted in censorship.
Things are going great! In 2016, after eighteen years of teaching art history and studio courses, I resigned a tenured professorship to pursue painting full time.
EDUCATION
1993-1995 University of Cincinnati, Cincinnati, OH
MFA Painting
1991-1994 University of California, Davis, CA
MA Art History
1988-1991 City University of New York, Bronx, NY
Magna Cum Laude; BA Art History
1988 University of Cincinnati, Cincinnati, OH
1981-1985 Art Students' League, Manhattan, NY
1978-1982 Art & Design High School, Manhattan, NY
EMPLOYMENT
1999-2016 Associate Professor of Art & Art History, Ohlone College, Fremont, CA
1998-1999 Instructor of Art History & Western Civilization, San Francisco University High School
1996-1998 Assistant Professor of Art & Art History, Texas A&M University, Laredo, TX
SELECTED SOLO EXHIBITIONS
2021 Lone Star Saloon, San Francisco, CA
It’s All About the Bears
2016 Tracy Center for the Arts, Tracy, CA
The Convict and the Boy, A Graphic Novel and Installation by Kenney Mencher with publication edited by the artist.
2012 Ohlone College, Fremont, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Elliott Fouts Gallery, Sacramento, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Santa Clara University, Santa Clara, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Art Museum of Los Gatos, Los Gatos, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2011 ArtHaus Gallery, San Francisco, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2008 Sequential Art Gallery, Portland, OR
Cads and Coquettes
2008 Varnish Fine Art, San Francisco, CA
Lovers and Liars
2007 Elliott Fouts Gallery, Sacramento, CA
Faces and Farces
2007 Gallery 2611, Redwood City, CA
Clichés and Characters
2006 Klaudia Marr Gallery, Santa Fe, NM
Kenney Mencher: Recent Work
2006 Elliott Fouts Gallery, Sacramento, CA
Apperceptions and Allegories
2006 Norton Studio Gallery, Pacific Art League, Palo Alto, CA
Being There
2006 Esteban Sabar Gallery, Oakland, CA
Similes and Sayings
2005 Elliott Fouts Gallery, Sacramento, CA
Hamlettes on Wry
2005 Mountain View Center for the Performing Arts, Mountain View, CA
2004 Louie-Meager Art Gallery, Gary Soren Smith Center, Ohlone College, Fremont, CA
Dress Code
2004 STRS Gallery, Sacramento, CA
1997 Laredo Center for the Arts, Laredo, TX
Noir Images (Solo Show)
SELECTED GROUP EXHIBITIONS
2011 ArtHaus Gallery, San Francisco, CA
The Men's Room
2010 Elliott Fouts Gallery, Sacramento, CA
Go Figure
2010 ArtHaus Gallery, San Francisco, CA
Resurgence
2009 ArtHaus Gallery, San Francisco, CA
In Black and White: Monochromatic Paintings by Kenney Mencher and Caroline Meyer
2008 Art Museum of Los Gatos, CA
Sex, Politics and Misogyny, Peter Langenbach and Kenney Mencher
2006-07 Klaudia Marr, Santa Fe, NM
14th Annual Realism Invitational
13th Annual Realism Invitational
2006 Triton Art Museum, Santa Clara, CA
Beyond the Likeness: Self Portraits by California Artists
2003 Hang Gallery Palo Alto, CA
One More Thing Before I Go
1999 Jenkins-Johnson Gallery, San Francisco, CA
First Annual Realism Invitational
2001 Craighead-Green, Dallas, TX
Kenney Mencher and Connie Connally
1998 Jenkins-Johnson Gallery, San Francisco, CA
Small Works
1998 Jenkins-Johnson Gallery, San Francisco, CA
Nancy Switzer, Milt Kobayashi, and Kenney Mencher
Warning these are the only sites authorized to represent my art:
https://www.kenney-mencher.net/
http://www.kenney-mencher.com/
http://www.etsy.com/shop/kmencher
https://www.instagram.com/kenneymencher/
https://www.facebook.com/Kenney.Mencher
http://www.youtube.com/user/kmencher
LGBTQ gay art homoerotic pride decor
The size is a standard US frame size and can be framed inexpensively.
(Buy framing kits on the US version of Etsy, Amazon or go to DickBlick. (.com's)
FREE SHIPPING
THIS WORK IS ORIGINAL (NOT A PRINT OR GICLEE)
Shipping takes 3-4 Weeks
Leather Men are modern day superheroes. A lot of my art revolves around the portrayal of heroic older bullish men. In my paintings I'm trying to communicate about body positivity and the beauty of the heroic male "bear." In this case I'm celebrating leather culture.
Many straight folks are unaware of the bear subculture. Hardly a surprise, since a powerful majority rarely concerns itself with the doings of a marginalized minority. When, three or four years ago, I first mentioned bears to my straight colleagues in the English Department at Virginia Tech, none of them knew what I was talking about, though by now at least one of them calls me “The Bear.” Similarly, my heterosexual students, as expert as they might be on current media, seem equally ignorant about this topic.
Most GLBT folks, however, by now seem to know the basics. A “bear” is a hairy, bearded, brawny-to-bulky gay man, usually displaying aspects of traditional masculinity. A cub is a younger version of the same; a wolf is a lean, hairy man; an otter a young version of that. “Woof!” is a lustful expression, meaning essentially: “Tasty! I’d like to climb all over that!” “Grrrrr!” means much the same. As you can see, after twenty-some years of development, the bear community, like any subculture, has its own jargon, sometimes called “bearspeak” or “vocubulary.” It also has its own values, its own style, and its own commodities. There are bear-oriented bars, festivals, music, movies, magazines, and books. There are regional clubs for bears not only in metropolitan centers, where the communities first developed, but also in rural areas.
The brush work and textures are designed to emphasize the direction of the planes of the muscles and other parts of the body. I'm hoping that the brushwork is kind of calligraphic and adds to making the figure feel real and have volume.
In the background, I began with thin coats of a warmer gray then went over the next layer with a brush and the last layer is a kind of "skip coat" using plastering knives to create a more tangible and thicker coat in a lighter tone.
I try to make really well crafted work about the human figure and the human condition. I focus on the kind of beauty for both men and women that is "non-standard." I'm most interested in representing people who don't get represented by mainstream artists. I particularly like painting bears, cubs, and other wildlife.
I am not a risqué or sexy kind of guy, however, at times some of my work has been called that. This is only a small part of what my paintings are about. The majority of my work deals with the visual translation of familiar ideas.
My images are about points of view, my own and the person who is looking at my work. These images are designed to provoke discussion about the politics of how we see the world. Many images are based on the visual, literary, and spoken clichés that we are inculcated with through movies, television, and print media. These paintings indirectly reference how the media forces us to see the world but even though the media seeks to find a homogenous point of view, we all see things differently. My paintings are ink blot tests and they beg the question, what’s your point of view?
Here's a bit about Kenney Mencher the artist,
I was born in Brooklyn February of 1965. During much of my childhood I lived in Brooklyn, the Bronx, upstate NY, Sarasota, Florida and Manhattan. (Both my mother and father divorced and remarried.) The real hero of my childhood is my older brother Marc who literally changed my diapers, acted as my protector and as my role model.
I started to learn to paint and draw when I was six or seven years old and was convinced that I would be an artist from that age on.
As a teen at the High School of Art and Design I got my best training in Irwin Greenberg’s class where he taught me how to draw, oil paint and watercolor. I also attended classes at the Cooper Union and Art Students League.
My parents threw me out in my senior year of high school, so I earned my GED and worked construction on the Lower East Side of Manhattan. It was a rough time but my older brother and his partner Kirk rescued me by inviting me to move with them to Cincinnati, Ohio to live and study. While a college student, I worked in restaurants and painted as much as I could. After a year at the University of Cincinnati, I went back to the Bronx where I finished college at CUNY Lehman. Lehman is a fantastic college.
After completing my undergraduate studies, I lived in California and then Ohio completing my two masters’ degrees in Art History and Studio Art. After school I was lucky enough to have dual careers as an exhibiting artist and tenured professor.
In 2014 I began to work on paintings with a strong homoerotic content. Despite excellent sales and well received shows, the galleries I worked with wouldn’t show my new queer work, so I’ve been successfully working mainly directly with my collectors. This change has freed me and allowed me to focus on themes and subjects that, in the past, were rejected or resulted in censorship.
Things are going great! In 2016, after eighteen years of teaching art history and studio courses, I resigned a tenured professorship to pursue painting full time.
EDUCATION
1993-1995 University of Cincinnati, Cincinnati, OH
MFA Painting
1991-1994 University of California, Davis, CA
MA Art History
1988-1991 City University of New York, Bronx, NY
Magna Cum Laude; BA Art History
1988 University of Cincinnati, Cincinnati, OH
1981-1985 Art Students' League, Manhattan, NY
1978-1982 Art & Design High School, Manhattan, NY
EMPLOYMENT
1999-2016 Associate Professor of Art & Art History, Ohlone College, Fremont, CA
1998-1999 Instructor of Art History & Western Civilization, San Francisco University High School
1996-1998 Assistant Professor of Art & Art History, Texas A&M University, Laredo, TX
SELECTED SOLO EXHIBITIONS
2021 Lone Star Saloon, San Francisco, CA
It’s All About the Bears
2016 Tracy Center for the Arts, Tracy, CA
The Convict and the Boy, A Graphic Novel and Installation by Kenney Mencher with publication edited by the artist.
2012 Ohlone College, Fremont, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Elliott Fouts Gallery, Sacramento, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Santa Clara University, Santa Clara, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Art Museum of Los Gatos, Los Gatos, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2011 ArtHaus Gallery, San Francisco, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2008 Sequential Art Gallery, Portland, OR
Cads and Coquettes
2008 Varnish Fine Art, San Francisco, CA
Lovers and Liars
2007 Elliott Fouts Gallery, Sacramento, CA
Faces and Farces
2007 Gallery 2611, Redwood City, CA
Clichés and Characters
2006 Klaudia Marr Gallery, Santa Fe, NM
Kenney Mencher: Recent Work
2006 Elliott Fouts Gallery, Sacramento, CA
Apperceptions and Allegories
2006 Norton Studio Gallery, Pacific Art League, Palo Alto, CA
Being There
2006 Esteban Sabar Gallery, Oakland, CA
Similes and Sayings
2005 Elliott Fouts Gallery, Sacramento, CA
Hamlettes on Wry
2005 Mountain View Center for the Performing Arts, Mountain View, CA
2004 Louie-Meager Art Gallery, Gary Soren Smith Center, Ohlone College, Fremont, CA
Dress Code
2004 STRS Gallery, Sacramento, CA
1997 Laredo Center for the Arts, Laredo, TX
Noir Images (Solo Show)
SELECTED GROUP EXHIBITIONS
2011 ArtHaus Gallery, San Francisco, CA
The Men's Room
2010 Elliott Fouts Gallery, Sacramento, CA
Go Figure
2010 ArtHaus Gallery, San Francisco, CA
Resurgence
2009 ArtHaus Gallery, San Francisco, CA
In Black and White: Monochromatic Paintings by Kenney Mencher and Caroline Meyer
2008 Art Museum of Los Gatos, CA
Sex, Politics and Misogyny, Peter Langenbach and Kenney Mencher
2006-07 Klaudia Marr, Santa Fe, NM
14th Annual Realism Invitational
13th Annual Realism Invitational
2006 Triton Art Museum, Santa Clara, CA
Beyond the Likeness: Self Portraits by California Artists
2003 Hang Gallery Palo Alto, CA
One More Thing Before I Go
1999 Jenkins-Johnson Gallery, San Francisco, CA
First Annual Realism Invitational
2001 Craighead-Green, Dallas, TX
Kenney Mencher and Connie Connally
1998 Jenkins-Johnson Gallery, San Francisco, CA
Small Works
1998 Jenkins-Johnson Gallery, San Francisco, CA
Nancy Switzer, Milt Kobayashi, and Kenney Mencher
Warning these are the only sites authorized to represent my art:
https://www.kenney-mencher.net/
http://www.kenney-mencher.com/
http://www.etsy.com/shop/kmencher
https://www.instagram.com/kenneymencher/
https://www.facebook.com/Kenney.Mencher
http://www.youtube.com/user/kmencher
Gray Leather Bull, 18x24 inches oil on canvas panel by Kenney Mencher
LGBTQ gay art homoerotic pride decor
The size is a standard US frame size and can be framed inexpensively.
(Buy framing kits on the US version of Etsy, Amazon or go to DickBlick. (.com's)
FREE SHIPPING
THIS WORK IS ORIGINAL (NOT A PRINT OR GICLEE)
Shipping takes 3-4 Weeks
Leather Men are modern day superheroes. A lot of my art revolves around the portrayal of heroic older bullish men. In my paintings I'm trying to communicate about body positivity and the beauty of the heroic male "bear." In this case I'm celebrating leather culture.
Many straight folks are unaware of the bear subculture. Hardly a surprise, since a powerful majority rarely concerns itself with the doings of a marginalized minority. When, three or four years ago, I first mentioned bears to my straight colleagues in the English Department at Virginia Tech, none of them knew what I was talking about, though by now at least one of them calls me “The Bear.” Similarly, my heterosexual students, as expert as they might be on current media, seem equally ignorant about this topic.
Most GLBT folks, however, by now seem to know the basics. A “bear” is a hairy, bearded, brawny-to-bulky gay man, usually displaying aspects of traditional masculinity. A cub is a younger version of the same; a wolf is a lean, hairy man; an otter a young version of that. “Woof!” is a lustful expression, meaning essentially: “Tasty! I’d like to climb all over that!” “Grrrrr!” means much the same. As you can see, after twenty-some years of development, the bear community, like any subculture, has its own jargon, sometimes called “bearspeak” or “vocubulary.” It also has its own values, its own style, and its own commodities. There are bear-oriented bars, festivals, music, movies, magazines, and books. There are regional clubs for bears not only in metropolitan centers, where the communities first developed, but also in rural areas.
The brush work and textures are designed to emphasize the direction of the planes of the muscles and other parts of the body. I'm hoping that the brushwork is kind of calligraphic and adds to making the figure feel real and have volume.
In the background, I began with thin coats of a warmer gray then went over the next layer with a brush and the last layer is a kind of "skip coat" using plastering knives to create a more tangible and thicker coat in a lighter tone.
I try to make really well crafted work about the human figure and the human condition. I focus on the kind of beauty for both men and women that is "non-standard." I'm most interested in representing people who don't get represented by mainstream artists. I particularly like painting bears, cubs, and other wildlife.
I am not a risqué or sexy kind of guy, however, at times some of my work has been called that. This is only a small part of what my paintings are about. The majority of my work deals with the visual translation of familiar ideas.
My images are about points of view, my own and the person who is looking at my work. These images are designed to provoke discussion about the politics of how we see the world. Many images are based on the visual, literary, and spoken clichés that we are inculcated with through movies, television, and print media. These paintings indirectly reference how the media forces us to see the world but even though the media seeks to find a homogenous point of view, we all see things differently. My paintings are ink blot tests and they beg the question, what’s your point of view?
Here's a bit about Kenney Mencher the artist,
I was born in Brooklyn February of 1965. During much of my childhood I lived in Brooklyn, the Bronx, upstate NY, Sarasota, Florida and Manhattan. (Both my mother and father divorced and remarried.) The real hero of my childhood is my older brother Marc who literally changed my diapers, acted as my protector and as my role model.
I started to learn to paint and draw when I was six or seven years old and was convinced that I would be an artist from that age on.
As a teen at the High School of Art and Design I got my best training in Irwin Greenberg’s class where he taught me how to draw, oil paint and watercolor. I also attended classes at the Cooper Union and Art Students League.
My parents threw me out in my senior year of high school, so I earned my GED and worked construction on the Lower East Side of Manhattan. It was a rough time but my older brother and his partner Kirk rescued me by inviting me to move with them to Cincinnati, Ohio to live and study. While a college student, I worked in restaurants and painted as much as I could. After a year at the University of Cincinnati, I went back to the Bronx where I finished college at CUNY Lehman. Lehman is a fantastic college.
After completing my undergraduate studies, I lived in California and then Ohio completing my two masters’ degrees in Art History and Studio Art. After school I was lucky enough to have dual careers as an exhibiting artist and tenured professor.
In 2014 I began to work on paintings with a strong homoerotic content. Despite excellent sales and well received shows, the galleries I worked with wouldn’t show my new queer work, so I’ve been successfully working mainly directly with my collectors. This change has freed me and allowed me to focus on themes and subjects that, in the past, were rejected or resulted in censorship.
Things are going great! In 2016, after eighteen years of teaching art history and studio courses, I resigned a tenured professorship to pursue painting full time.
EDUCATION
1993-1995 University of Cincinnati, Cincinnati, OH
MFA Painting
1991-1994 University of California, Davis, CA
MA Art History
1988-1991 City University of New York, Bronx, NY
Magna Cum Laude; BA Art History
1988 University of Cincinnati, Cincinnati, OH
1981-1985 Art Students' League, Manhattan, NY
1978-1982 Art & Design High School, Manhattan, NY
EMPLOYMENT
1999-2016 Associate Professor of Art & Art History, Ohlone College, Fremont, CA
1998-1999 Instructor of Art History & Western Civilization, San Francisco University High School
1996-1998 Assistant Professor of Art & Art History, Texas A&M University, Laredo, TX
SELECTED SOLO EXHIBITIONS
2021 Lone Star Saloon, San Francisco, CA
It’s All About the Bears
2016 Tracy Center for the Arts, Tracy, CA
The Convict and the Boy, A Graphic Novel and Installation by Kenney Mencher with publication edited by the artist.
2012 Ohlone College, Fremont, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Elliott Fouts Gallery, Sacramento, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Santa Clara University, Santa Clara, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Art Museum of Los Gatos, Los Gatos, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2011 ArtHaus Gallery, San Francisco, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2008 Sequential Art Gallery, Portland, OR
Cads and Coquettes
2008 Varnish Fine Art, San Francisco, CA
Lovers and Liars
2007 Elliott Fouts Gallery, Sacramento, CA
Faces and Farces
2007 Gallery 2611, Redwood City, CA
Clichés and Characters
2006 Klaudia Marr Gallery, Santa Fe, NM
Kenney Mencher: Recent Work
2006 Elliott Fouts Gallery, Sacramento, CA
Apperceptions and Allegories
2006 Norton Studio Gallery, Pacific Art League, Palo Alto, CA
Being There
2006 Esteban Sabar Gallery, Oakland, CA
Similes and Sayings
2005 Elliott Fouts Gallery, Sacramento, CA
Hamlettes on Wry
2005 Mountain View Center for the Performing Arts, Mountain View, CA
2004 Louie-Meager Art Gallery, Gary Soren Smith Center, Ohlone College, Fremont, CA
Dress Code
2004 STRS Gallery, Sacramento, CA
1997 Laredo Center for the Arts, Laredo, TX
Noir Images (Solo Show)
SELECTED GROUP EXHIBITIONS
2011 ArtHaus Gallery, San Francisco, CA
The Men's Room
2010 Elliott Fouts Gallery, Sacramento, CA
Go Figure
2010 ArtHaus Gallery, San Francisco, CA
Resurgence
2009 ArtHaus Gallery, San Francisco, CA
In Black and White: Monochromatic Paintings by Kenney Mencher and Caroline Meyer
2008 Art Museum of Los Gatos, CA
Sex, Politics and Misogyny, Peter Langenbach and Kenney Mencher
2006-07 Klaudia Marr, Santa Fe, NM
14th Annual Realism Invitational
13th Annual Realism Invitational
2006 Triton Art Museum, Santa Clara, CA
Beyond the Likeness: Self Portraits by California Artists
2003 Hang Gallery Palo Alto, CA
One More Thing Before I Go
1999 Jenkins-Johnson Gallery, San Francisco, CA
First Annual Realism Invitational
2001 Craighead-Green, Dallas, TX
Kenney Mencher and Connie Connally
1998 Jenkins-Johnson Gallery, San Francisco, CA
Small Works
1998 Jenkins-Johnson Gallery, San Francisco, CA
Nancy Switzer, Milt Kobayashi, and Kenney Mencher
Warning these are the only sites authorized to represent my art:
https://www.kenney-mencher.net/
http://www.kenney-mencher.com/
http://www.etsy.com/shop/kmencher
https://www.instagram.com/kenneymencher/
https://www.facebook.com/Kenney.Mencher
http://www.youtube.com/user/kmencher
LGBTQ gay art homoerotic pride decor
The size is a standard US frame size and can be framed inexpensively.
(Buy framing kits on the US version of Etsy, Amazon or go to DickBlick. (.com's)
FREE SHIPPING
THIS WORK IS ORIGINAL (NOT A PRINT OR GICLEE)
Shipping takes 3-4 Weeks
Leather Men are modern day superheroes. A lot of my art revolves around the portrayal of heroic older bullish men. In my paintings I'm trying to communicate about body positivity and the beauty of the heroic male "bear." In this case I'm celebrating leather culture.
Many straight folks are unaware of the bear subculture. Hardly a surprise, since a powerful majority rarely concerns itself with the doings of a marginalized minority. When, three or four years ago, I first mentioned bears to my straight colleagues in the English Department at Virginia Tech, none of them knew what I was talking about, though by now at least one of them calls me “The Bear.” Similarly, my heterosexual students, as expert as they might be on current media, seem equally ignorant about this topic.
Most GLBT folks, however, by now seem to know the basics. A “bear” is a hairy, bearded, brawny-to-bulky gay man, usually displaying aspects of traditional masculinity. A cub is a younger version of the same; a wolf is a lean, hairy man; an otter a young version of that. “Woof!” is a lustful expression, meaning essentially: “Tasty! I’d like to climb all over that!” “Grrrrr!” means much the same. As you can see, after twenty-some years of development, the bear community, like any subculture, has its own jargon, sometimes called “bearspeak” or “vocubulary.” It also has its own values, its own style, and its own commodities. There are bear-oriented bars, festivals, music, movies, magazines, and books. There are regional clubs for bears not only in metropolitan centers, where the communities first developed, but also in rural areas.
The brush work and textures are designed to emphasize the direction of the planes of the muscles and other parts of the body. I'm hoping that the brushwork is kind of calligraphic and adds to making the figure feel real and have volume.
In the background, I began with thin coats of a warmer gray then went over the next layer with a brush and the last layer is a kind of "skip coat" using plastering knives to create a more tangible and thicker coat in a lighter tone.
I try to make really well crafted work about the human figure and the human condition. I focus on the kind of beauty for both men and women that is "non-standard." I'm most interested in representing people who don't get represented by mainstream artists. I particularly like painting bears, cubs, and other wildlife.
I am not a risqué or sexy kind of guy, however, at times some of my work has been called that. This is only a small part of what my paintings are about. The majority of my work deals with the visual translation of familiar ideas.
My images are about points of view, my own and the person who is looking at my work. These images are designed to provoke discussion about the politics of how we see the world. Many images are based on the visual, literary, and spoken clichés that we are inculcated with through movies, television, and print media. These paintings indirectly reference how the media forces us to see the world but even though the media seeks to find a homogenous point of view, we all see things differently. My paintings are ink blot tests and they beg the question, what’s your point of view?
Here's a bit about Kenney Mencher the artist,
I was born in Brooklyn February of 1965. During much of my childhood I lived in Brooklyn, the Bronx, upstate NY, Sarasota, Florida and Manhattan. (Both my mother and father divorced and remarried.) The real hero of my childhood is my older brother Marc who literally changed my diapers, acted as my protector and as my role model.
I started to learn to paint and draw when I was six or seven years old and was convinced that I would be an artist from that age on.
As a teen at the High School of Art and Design I got my best training in Irwin Greenberg’s class where he taught me how to draw, oil paint and watercolor. I also attended classes at the Cooper Union and Art Students League.
My parents threw me out in my senior year of high school, so I earned my GED and worked construction on the Lower East Side of Manhattan. It was a rough time but my older brother and his partner Kirk rescued me by inviting me to move with them to Cincinnati, Ohio to live and study. While a college student, I worked in restaurants and painted as much as I could. After a year at the University of Cincinnati, I went back to the Bronx where I finished college at CUNY Lehman. Lehman is a fantastic college.
After completing my undergraduate studies, I lived in California and then Ohio completing my two masters’ degrees in Art History and Studio Art. After school I was lucky enough to have dual careers as an exhibiting artist and tenured professor.
In 2014 I began to work on paintings with a strong homoerotic content. Despite excellent sales and well received shows, the galleries I worked with wouldn’t show my new queer work, so I’ve been successfully working mainly directly with my collectors. This change has freed me and allowed me to focus on themes and subjects that, in the past, were rejected or resulted in censorship.
Things are going great! In 2016, after eighteen years of teaching art history and studio courses, I resigned a tenured professorship to pursue painting full time.
EDUCATION
1993-1995 University of Cincinnati, Cincinnati, OH
MFA Painting
1991-1994 University of California, Davis, CA
MA Art History
1988-1991 City University of New York, Bronx, NY
Magna Cum Laude; BA Art History
1988 University of Cincinnati, Cincinnati, OH
1981-1985 Art Students' League, Manhattan, NY
1978-1982 Art & Design High School, Manhattan, NY
EMPLOYMENT
1999-2016 Associate Professor of Art & Art History, Ohlone College, Fremont, CA
1998-1999 Instructor of Art History & Western Civilization, San Francisco University High School
1996-1998 Assistant Professor of Art & Art History, Texas A&M University, Laredo, TX
SELECTED SOLO EXHIBITIONS
2021 Lone Star Saloon, San Francisco, CA
It’s All About the Bears
2016 Tracy Center for the Arts, Tracy, CA
The Convict and the Boy, A Graphic Novel and Installation by Kenney Mencher with publication edited by the artist.
2012 Ohlone College, Fremont, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Elliott Fouts Gallery, Sacramento, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Santa Clara University, Santa Clara, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2012 Art Museum of Los Gatos, Los Gatos, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2011 ArtHaus Gallery, San Francisco, CA
Renovated Reputations: Paintings, Installation and Mixed Media by Kenney Mencher with publication edited by the artist.
2008 Sequential Art Gallery, Portland, OR
Cads and Coquettes
2008 Varnish Fine Art, San Francisco, CA
Lovers and Liars
2007 Elliott Fouts Gallery, Sacramento, CA
Faces and Farces
2007 Gallery 2611, Redwood City, CA
Clichés and Characters
2006 Klaudia Marr Gallery, Santa Fe, NM
Kenney Mencher: Recent Work
2006 Elliott Fouts Gallery, Sacramento, CA
Apperceptions and Allegories
2006 Norton Studio Gallery, Pacific Art League, Palo Alto, CA
Being There
2006 Esteban Sabar Gallery, Oakland, CA
Similes and Sayings
2005 Elliott Fouts Gallery, Sacramento, CA
Hamlettes on Wry
2005 Mountain View Center for the Performing Arts, Mountain View, CA
2004 Louie-Meager Art Gallery, Gary Soren Smith Center, Ohlone College, Fremont, CA
Dress Code
2004 STRS Gallery, Sacramento, CA
1997 Laredo Center for the Arts, Laredo, TX
Noir Images (Solo Show)
SELECTED GROUP EXHIBITIONS
2011 ArtHaus Gallery, San Francisco, CA
The Men's Room
2010 Elliott Fouts Gallery, Sacramento, CA
Go Figure
2010 ArtHaus Gallery, San Francisco, CA
Resurgence
2009 ArtHaus Gallery, San Francisco, CA
In Black and White: Monochromatic Paintings by Kenney Mencher and Caroline Meyer
2008 Art Museum of Los Gatos, CA
Sex, Politics and Misogyny, Peter Langenbach and Kenney Mencher
2006-07 Klaudia Marr, Santa Fe, NM
14th Annual Realism Invitational
13th Annual Realism Invitational
2006 Triton Art Museum, Santa Clara, CA
Beyond the Likeness: Self Portraits by California Artists
2003 Hang Gallery Palo Alto, CA
One More Thing Before I Go
1999 Jenkins-Johnson Gallery, San Francisco, CA
First Annual Realism Invitational
2001 Craighead-Green, Dallas, TX
Kenney Mencher and Connie Connally
1998 Jenkins-Johnson Gallery, San Francisco, CA
Small Works
1998 Jenkins-Johnson Gallery, San Francisco, CA
Nancy Switzer, Milt Kobayashi, and Kenney Mencher
Warning these are the only sites authorized to represent my art:
https://www.kenney-mencher.net/
http://www.kenney-mencher.com/
http://www.etsy.com/shop/kmencher
https://www.instagram.com/kenneymencher/
https://www.facebook.com/Kenney.Mencher
http://www.youtube.com/user/kmencher
