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Kenney Mencher and Carolyn Meyer: in BLACK and WHITE
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Kenney Mencher and Carolyn Meyer: in BLACK and WHITE
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Kenney Mencher Back Room, 1994 (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher
1994, Back Room, (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher Square.jpg Image 1 of 10
1994, Back Room, (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher Square.jpg
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1994, Back Room, (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher Etsy.jpg
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1994, Back Room, (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher Square.jpg
1994, Back Room, (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher Etsy.jpg
1994, Back Room, (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher (8).jpg
1994, Back Room, (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher (1).jpg
1994, Back Room, (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher (2).jpg
1994, Back Room, (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher (3).jpg
1994, Back Room, (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher (4).jpg
1994, Back Room, (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher (5).jpg
1994, Back Room, (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher (6).jpg
1994, Back Room, (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher (7).jpg

Back Room, 1994 (State 1, 1 out of 6) 11x14 inches, intaglio with aguatint, by Kenney Mencher

$80.00

FREE SHIPPING

This is from a limited edition print. (State 1, 1/6, )

Shipping takes 3-4 Weeks

This print is part of my Fresh Finds project—where I’m working my way through old work and bringing pieces out of storage to finally share them.

Back Room is a black-and-white intaglio print with aquatint that I made in 1994 during my MFA program at the University of Cincinnati. It’s based on a film still—back then, I used to spend hours in the UC library hunting for books on cinema with rich black-and-white images I could turn into prints.

This is the first state of the print. That means it’s an early version, printed before I made changes or added detail in the plate. In this version, the lighting from the overhead lamp is simpler. I was experimenting with how to handle tone and atmosphere using aquatint. Only six prints exist in this state—this is number 1 of 6.

Intaglio is a printmaking method where the image is etched into a metal plate, inked, and pressed into damp paper using a high-pressure press. Aquatint adds tonal range—sort of like a soft watercolor effect created through etched texture.

There’s a visible plate mark around the image (which is typical for this technique), and a small buckle in the upper left corner of the paper. That should flatten once it’s framed.

Details

Title: Back Room

Artist: Kenney Mencher

Year: 1994

Medium: Intaglio with aquatint

Edition: State 1, 1 of 6

Paper size: 11 x 14 inches

Condition: Very good – slight upper-left buckling, clean plate mark

Process: Etched and hand-printed using metal plate and press

Source: Based on a film still

School: Made during MFA at University of Cincinnati

Series: Part of my Fresh Finds release

Signed and numbered in pencil

Add To Cart

FREE SHIPPING

This is from a limited edition print. (State 1, 1/6, )

Shipping takes 3-4 Weeks

This print is part of my Fresh Finds project—where I’m working my way through old work and bringing pieces out of storage to finally share them.

Back Room is a black-and-white intaglio print with aquatint that I made in 1994 during my MFA program at the University of Cincinnati. It’s based on a film still—back then, I used to spend hours in the UC library hunting for books on cinema with rich black-and-white images I could turn into prints.

This is the first state of the print. That means it’s an early version, printed before I made changes or added detail in the plate. In this version, the lighting from the overhead lamp is simpler. I was experimenting with how to handle tone and atmosphere using aquatint. Only six prints exist in this state—this is number 1 of 6.

Intaglio is a printmaking method where the image is etched into a metal plate, inked, and pressed into damp paper using a high-pressure press. Aquatint adds tonal range—sort of like a soft watercolor effect created through etched texture.

There’s a visible plate mark around the image (which is typical for this technique), and a small buckle in the upper left corner of the paper. That should flatten once it’s framed.

Details

Title: Back Room

Artist: Kenney Mencher

Year: 1994

Medium: Intaglio with aquatint

Edition: State 1, 1 of 6

Paper size: 11 x 14 inches

Condition: Very good – slight upper-left buckling, clean plate mark

Process: Etched and hand-printed using metal plate and press

Source: Based on a film still

School: Made during MFA at University of Cincinnati

Series: Part of my Fresh Finds release

Signed and numbered in pencil

FREE SHIPPING

This is from a limited edition print. (State 1, 1/6, )

Shipping takes 3-4 Weeks

This print is part of my Fresh Finds project—where I’m working my way through old work and bringing pieces out of storage to finally share them.

Back Room is a black-and-white intaglio print with aquatint that I made in 1994 during my MFA program at the University of Cincinnati. It’s based on a film still—back then, I used to spend hours in the UC library hunting for books on cinema with rich black-and-white images I could turn into prints.

This is the first state of the print. That means it’s an early version, printed before I made changes or added detail in the plate. In this version, the lighting from the overhead lamp is simpler. I was experimenting with how to handle tone and atmosphere using aquatint. Only six prints exist in this state—this is number 1 of 6.

Intaglio is a printmaking method where the image is etched into a metal plate, inked, and pressed into damp paper using a high-pressure press. Aquatint adds tonal range—sort of like a soft watercolor effect created through etched texture.

There’s a visible plate mark around the image (which is typical for this technique), and a small buckle in the upper left corner of the paper. That should flatten once it’s framed.

Details

Title: Back Room

Artist: Kenney Mencher

Year: 1994

Medium: Intaglio with aquatint

Edition: State 1, 1 of 6

Paper size: 11 x 14 inches

Condition: Very good – slight upper-left buckling, clean plate mark

Process: Etched and hand-printed using metal plate and press

Source: Based on a film still

School: Made during MFA at University of Cincinnati

Series: Part of my Fresh Finds release

Signed and numbered in pencil

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